|
GREAT – Manual II (unenclosed) |
|
32' |
Violonbasse (Gehry façade) |
|
32' |
'Grand
Bourdon (from 16', 1-12 resultant)' |
|
16' |
Prestant
(polished tin façade) |
|
16' |
Violonbasse (ext.) |
|
16' |
Bourdon
(PEDAL SUBBASS) |
|
8' |
Principal |
|
8' |
Diapason
à Pavillon |
|
8' |
Violoncelle (ext. Violonbasse) |
|
8' |
Flûte
harmonique |
|
8' |
Chimney
Flute |
|
5-1/3' |
Grand
Nasard |
|
4' |
Octave |
|
4' |
Spire
Flute |
|
3-1/5' |
Grande
Tierce |
|
2-2/3' |
Octave
Quinte |
|
2' |
Super
Octave |
|
III |
Grande
Fourniture (16' series) |
|
VIII |
Mixture
(8' series) |
|
IV |
Cymbale
(4' series) |
|
VII |
Corneta
Magna |
|
32' |
Contre
Basson (ext.16') (Gehry façade) |
|
16' |
Basson |
|
8' |
Basson |
|
4' |
Basson |
|
8' |
Trompeta
de Los Angeles (LLAMARADA) |
|
16' |
Great to
Great (Does not affect 32' stops) |
|
|
|
POSITIVE – Manual I (enclosed) |
|
16' |
Quintaton |
|
8' |
Principal |
|
8' |
Unda
Maris |
|
8' |
Gambe |
|
8' |
Flûte
harmonique |
|
8' |
Gedackt |
|
4' |
Octave |
|
4' |
Hohlflöte |
|
2-2/3' |
Nasard |
|
2' |
Super
Octave |
|
2' |
Waldflöte |
|
1-3/5' |
Tierce |
|
1-1/3' |
Larigot |
|
IV |
Mixture
(1-1/3') |
|
16' |
Cor
anglais |
|
8' |
Trompette |
|
8' |
Cromorne |
|
4' |
Clairon |
|
Tremolo |
|
16' |
Llamada
(LLAMARADA) |
|
8' |
Llamada
(LLAMARADA) |
|
4' |
Llamada
(LLAMARADA) |
|
8' |
Trompeta
de Los Angeles (LLAMARADA) |
|
16' |
Positive
to Positive |
|
|
|
SWELL – Manual III (enclosed) |
|
16' |
Bourdon |
|
8' |
Diapason |
|
8' |
Flûte
traversière |
|
8' |
Bourdon |
|
8' |
Viole de
Gambe |
|
8' |
Voix
céleste (CC) |
|
8' |
Dulciane
doux |
|
8' |
Voix
angelique (TC) |
|
4' |
Principal |
|
4' |
Flûte
octaviante |
|
2-2/3' |
Nasard |
|
2' |
Octavin |
|
1-3/5' |
Tierce |
|
1' |
Piccolo |
|
III-V |
Plein jeu
harmonique (2-2/3') |
|
16' |
Bombarde |
|
8' |
Trompette |
|
8' |
Hautbois |
|
8' |
Voix
humaine |
|
4' |
Clairon |
|
Fast
Tremulant |
|
Slow
Tremulant |
|
8' |
Llamada
(LLAMARADA) |
|
8' |
Trompeta
de Los Angeles (LLAMARADA) |
|
16' |
Swell to
Swell |
|
4' |
Swell to
Swell |
|
|
|
LLAMARADA – Manual IV (enclosed) |
|
8' |
Flautado
grandiso |
|
4' |
Octava
real |
|
V |
Compuestas |
|
V |
Lleno
fuerte |
|
16' |
Bombardon |
|
8' |
Trompeta
armonica |
|
4' |
Clarín
armonico |
|
Tremblante |
|
Unenclosed |
|
16' |
Llamada
(ext.) |
|
8' |
Llamada
(horizontal Tuba) |
|
4' |
Llamada
(ext.) |
|
8' |
Trompeta
de Los Angeles (Gehry façade) |
|
Campanitas (Choice of one or both bell arrays) |
|
Pajaritos
(Two pairs of birdolas) |
|
Pitch
Pipes (3 pipes) D' F' A' (A=442) |
|
|
|
PEDAL |
|
32' |
Flûte |
|
32' |
Violonbasse (Gehry façade) |
|
16' |
Flûte
(ext.) |
|
16' |
Prestant
(GREAT) |
|
16' |
Violonbasse (GREAT) |
|
16' |
Subbass |
|
16' |
Bourdon
(SWELL) |
|
10-2/3' |
Grosse
Quinte |
|
8' |
Octave |
|
8' |
Flûte
(ext.) |
|
8' |
Violoncelle (GREAT) |
|
8' |
Bourdon
(ext. Subbass) |
|
4' |
Super
Octave |
|
4' |
Flûte
(ext.) |
|
V |
Mixture
(5-1/3') |
|
32' |
Contre
Bombarde (ext.) |
|
32' |
Contre
Basson (Gehry façade) |
|
16' |
Grande
Bombarde |
|
16' |
Bombardon
(LLAMARADA) |
|
16' |
Basson
(GREAT 16') |
|
8' |
Trompeta
(LLAMARADA) |
|
8' |
Basson
(GREAT 8') |
|
4' |
Clarín
(LLAMARADA) |
|
4' |
Basson
(GREAT 4') |
|
|
|
COUPLERS |
|
8' |
Great to
Pedal |
|
8' |
Positive
to Pedal |
|
8' |
Swell to
Pedal |
|
8' |
Llamarada
to Pedal |
|
16' |
Positive
to Great |
|
8' |
Positive
to Great |
|
16' |
Swell to
Great |
|
8' |
Swell to
Great |
|
4' |
Swell to
Great |
|
16' |
Llamarada
to Great |
|
8' |
Llamarada
to Great |
|
4' |
Llamarada
to Great |
|
8' |
Swell to
Positive |
|
8' |
Llamarada
to Positive |
|
|
|
COMBINATIONS |
|
Great:
1-8 |
|
Positive: 1-8 |
|
Swell:
1-8 |
|
Llamarada: 1-6 |
|
Pedal:
1-6 (toe) |
|
General: 1-24 (1-12 toe) |
|
Restore |
|
General Cancel |
|
Combination Set |
|
All
Pistons Next |
|
Next |
|
Previous |
|
|
|
Thumb reversibles for |
|
Great to
Pedal |
|
Positive
to Pedal |
|
Swell to
Pedal |
|
Llamarada
to Pedal |
|
Swell to
Great |
|
Positive
to Great |
|
Llamarada
to Great |
|
Tutti |
|
|
| Toe
reversibles for: |
|
Great to
Pedal |
|
Swell to
Pedal |
|
Tutti |
|
Pajaritos |