top of page

Opus

22

St. Paul's Episcopal Church

Richmond, VA

1999

opus22_desk.jpg

Stops & Specifications

Solo

Manual I

Flûte harmonique 8’

Bourdon 8’

Prestant 4’

Cornet III from g 20

Trompette harmonique 8’

Clarion harmonique 4’

Great

Manual II

Prestant 16’

     1-6 wood; front pipes from FF#

Principal 8’

     front pipes

Salicional 8’

Chimney Flute 8’

Octave 4’

Spire Flute 4’

Octave Quint 2 ⅔’

Super Octave 2’

Tierce 1 ⅗’

Mixture V (1 ⅓’)

Trumpet 8’

Clarinet 8’

Swell

Manual III

Bourdon 16’

wood & metal

Geigen Principal 8’

Viole de Gamba 8’

Voix céleste 8’

from CC

Flûte traversière 8’

common bass

Stop’d Diapason 8’

wood & metal

Principal 4’

Rohrpipe 4’

Nasard 2 ⅔’

Doublet 2’

Tierce 1 ⅗’

Mixture IV (2’)

Double Trumpet 16’

Trumpet 8’

Hautbois 8’

Vox Virginia 8’

Pedal

Grand Bass 32’

     resultant

Open Wood 16’

Prestant 16’

     Great

Bourdon 16’

     wood

Flute 8’

     ext.

Octave 8’

Spire Flute 8’

Super Octave 4’

Trombone 16’

Trumpet 8’

Clarion 4’

Couplers

Great to Pedal

Swell to Pedal

Solo to Pedal

Swell to Great

Swell to Solo

Great to Solo

Accessories

Cymblestern with two rotating stars

Nightengale

Swell Tremolo

Great & Solo Tremolo

Wind Stabilizer Cut-out

Compass: 58 notes manuals, 30 notes pedals

Mechanical key action, electric stop action

Bach-Kellner temperament

99 level Solid State combination system

15 general combination pistons

8 Swell, 8 Great, 5 Solo, 8 Pedal

divisional pistons

Tutti programmable

Crescendo pedal programmable

Balanced electric action Swell pedal

Front pipes of 85% polished tin

Wind supplied by 1 h.p. blower

Wind pressures 3 ¼ to 4 ⅜ inches

Pipes of lead & tin alloys; poplar & pine

45 stops, 51 ranks, 2,667 pipes

Gallery

From The Organs: St. Paul's Episcopal Church

by David Sinden

Saint Paul’s Church is very fortunate to have a fine organ by the renowned organbuilder Manuel Rosales of Los Angeles, California. This one of only two instruments by Rosales on the East Coast of the United States (the other being at St. Bartholomew’s, Atlanta, Ga.).

Manuel Rosales is particularly well known for his uncanny ability to “voice”organ pipes so that they are not only especially beautiful on their own, but also blend in remarkable ways with other pipes of the organ.

The St. Paul’s organ is not of one specific style. It is not German, French, English, or American; nor does it try to be all of these styles at once. Rather, it falls into its own category. Seeking insight from many different organ building traditions, Manuel Rosales found a middle way, and musical life of this city and the worship of God in this church benefit from this approach.

In July of 1998 over 100 people helped carry the first parts of the organ into the church. A small part of the organ was first heard in February 1999. The first recital was played by Dame Gillian Weir as part of the Repertoire Recital Series of the Richmond Chapter of the American Guild of Organists on March 24, 2000. The Rosales organ was dedicated on Sunday, May 21, 2000 at a morning celebration of the Holy Eucharist.

 

Major funding for this organ was provided by the Massey family in memory of Mr. and Mrs. William E. Massey, Sr.

bottom of page