Opus
22
St. Paul's Episcopal Church
Richmond, VA
1999

Stops & Specifications
Solo
Manual I
Flûte harmonique 8’
Bourdon 8’
Prestant 4’
Cornet III from g 20
Trompette harmonique 8’
Clarion harmonique 4’
Great
Manual II
Prestant 16’
1-6 wood; front pipes from FF#
Principal 8’
front pipes
Salicional 8’
Chimney Flute 8’
Octave 4’
Spire Flute 4’
Octave Quint 2 ⅔’
Super Octave 2’
Tierce 1 ⅗’
Mixture V (1 ⅓’)
Trumpet 8’
Clarinet 8’
Swell
Manual III
Bourdon 16’
wood & metal
Geigen Principal 8’
Viole de Gamba 8’
Voix céleste 8’
from CC
Flûte traversière 8’
common bass
Stop’d Diapason 8’
wood & metal
Principal 4’
Rohrpipe 4’
Nasard 2 ⅔’
Doublet 2’
Tierce 1 ⅗’
Mixture IV (2’)
Double Trumpet 16’
Trumpet 8’
Hautbois 8’
Vox Virginia 8’
Pedal
Grand Bass 32’
resultant
Open Wood 16’
Prestant 16’
Great
Bourdon 16’
wood
Flute 8’
ext.
Octave 8’
Spire Flute 8’
Super Octave 4’
Trombone 16’
Trumpet 8’
Clarion 4’
Couplers
Great to Pedal
Swell to Pedal
Solo to Pedal
Swell to Great
Swell to Solo
Great to Solo
Accessories
Cymblestern with two rotating stars
Nightengale
Swell Tremolo
Great & Solo Tremolo
Wind Stabilizer Cut-out
Compass: 58 notes manuals, 30 notes pedals
Mechanical key action, electric stop action
Bach-Kellner temperament
99 level Solid State combination system
15 general combination pistons
8 Swell, 8 Great, 5 Solo, 8 Pedal
divisional pistons
Tutti programmable
Crescendo pedal programmable
Balanced electric action Swell pedal
Front pipes of 85% polished tin
Wind supplied by 1 h.p. blower
Wind pressures 3 ¼ to 4 ⅜ inches
Pipes of lead & tin alloys; poplar & pine
45 stops, 51 ranks, 2,667 pipes
Gallery
From The Organs: St. Paul's Episcopal Church
by David Sinden
Saint Paul’s Church is very fortunate to have a fine organ by the renowned organbuilder Manuel Rosales of Los Angeles, California. This one of only two instruments by Rosales on the East Coast of the United States (the other being at St. Bartholomew’s, Atlanta, Ga.).
Manuel Rosales is particularly well known for his uncanny ability to “voice”organ pipes so that they are not only especially beautiful on their own, but also blend in remarkable ways with other pipes of the organ.
The St. Paul’s organ is not of one specific style. It is not German, French, English, or American; nor does it try to be all of these styles at once. Rather, it falls into its own category. Seeking insight from many different organ building traditions, Manuel Rosales found a middle way, and musical life of this city and the worship of God in this church benefit from this approach.
In July of 1998 over 100 people helped carry the first parts of the organ into the church. A small part of the organ was first heard in February 1999. The first recital was played by Dame Gillian Weir as part of the Repertoire Recital Series of the Richmond Chapter of the American Guild of Organists on March 24, 2000. The Rosales organ was dedicated on Sunday, May 21, 2000 at a morning celebration of the Holy Eucharist.
Major funding for this organ was provided by the Massey family in memory of Mr. and Mrs. William E. Massey, Sr.











